Home > Press releases > New Jazz: four artists – accompanied by the BNP Paribas Foundation – pr...
| Years : | 2010 | | 2009 | | 2008 | | 2007 | | 2006 | | 2005 | | 2004 | | 2003 | | 2002 | | 2001 |
|---|
| Quarters : | 1st Quarter | | 2nd Quarter | | 3rd Quarter | | 4th Quarter |
|---|
Ecouter Paris, 2nd Nov. 2009
One of the few patrons of the arts to support Jazz musicians, the BNP Paribas Foundation has been following their progress for more than 15 years. Helping with recordings, and supporting promotion, especially on tour, are all ways of assisting them in developing their projects. Besides offering this support, the BNP Paribas Foundation strives to help these artists to reach a wider audience.
In October, four Jazz artists currently supported by the Foundation will present their new albums:
Elisabeth Kontomanou: Siren Song (Plus Loin Music)
Elisabeth Kontomanou has sung in Paris and New York, as well as in Sweden. Acclaimed by the critics for her two latest recordings, she was awarded the "Vocal Jazz Award" of the Victoires du Jazz in 2006. Since then, prefering an intimate style to an extrovert one, and depth to superficial effects, she has performed widely in the most prestigious venues. Her recording Back to My Groove, followed by Brewin' the Wind, coincided with the start of her relationship with the BNP Paribas Foundation.
With her latest album, Siren Song, recorded with the Lorraine National Orchestra, Elisabeth Kontomanou once again immerses herself in the great standard numbers that made jazz famous.
Accompanied by three orchestrators – Tom Harrel, Gustav Karlström, and Ann-Sofi Söderqvist – she has combined this celebrated repertoire with recent compositions of her own, such as Summer and Siren Song, as well as a duet composed by, and sung with, her son Gustav Karlström. On sale from 27 October.
www.myspace.com/elisabethkontomanou
The young pianist Murat Oztürk came into contact with several musical genres before committing himself to jazz at the age of 18. After trying to fathom the language of fabulous pianists such as Bill Evans, and having understood that jazz demands unrelenting effort, he plunged enthusiastically into this music he had chosen.
Winner of the first saxophone prize at the Paris Conservatoire, multi-instrumentalist (clarinet, flute), and much in demand as a sideman, Stéphane Guillaume is also a brilliant composer who, for some years now, has developed his projects around his own quartet – guitar, bass, drums, and saxophone.
Since graduating from the Paris conservatoire, Emmanuel Bex has won numerous prizes: the 1988 Sacem prize for composition, the Django d'Or musician of the year prize 2003, and the Victoire du Jazz in 2002. An inspired performer, Emmanuel Bex is rare among jazz musicians in having managed to give the organ, his favoured instrument, a place in the spotlight. He is also a pianist, a composer, and a respected arranger. Endowed with insatiable curiosity, he has tirelessly sought new musical forms, and does not hesitate to mix different styles and genres, while also being keen to seek out new audiences. A case in point is the project Esperanto Cantabile, a concerto for Hammond organ and symphony orchestra, composed in France in 2007. Another is Third String, a trio for piano, violin, and cello.
Following their first album, which appeared in 2005, DAG – Domancich, Avenel, and Goubert – present Free 4 DAG. Formed in 2004, the DAG trio – an acronym of Domancich, Avenel, and Goubert – has ploughed a furrow and sowed seeds whose fruits can justly be described as ever more marvellous, as those who attended a memorable concert at the Festival de Radio-France in Montpellier in 2008 will testify.